As one of the first people to arrive at SPRING/BREAK 2024, I noticed that the show had an immediate intimacy and playfulness that beheld itself to more casual encounters with artists and curators, unlike many other art shows. Unique art forms ranged from AI-driven works to more traditional mediums. Curators and artists played with the theme this year of interior/exterior in diverse ways.
It is hard to miss Kendalle Getty’s booth with “The Hanged Man” on the wall, reflective of an inverted tarot card that symbolizes procrastination, insecurities, frustration, and disappointment. The inner confusion continues to be shown outwardly through chaotic scenes of old food on a table, a chair ridden with nails and mirrors capturing song quotes with undercurrents of despair and angst. Among other surprises is a chair adorned with crystals that took over a year to grow.
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